Arthur Cantrill→ Biografie anzeigen← Biografie schließen Arthur Cantrill, born Sydney, Australia, 1938, has been making 16mm films with Corinne Cantrill since 1960. At first films for children and documentaries on art, interspersed with short experimental films. After working in London for four years, where Arthur Cantrill was a film editor at Halas and Batchelor Cartoon Films and then at BBCTV current affairs and documentary, they returned to Australia in 1969 to take up a Fellowship in the Creative Arts at the Australian National University in Canberra during which they made several films. From that time they have worked solely in film as a medium combining kinetic art with formal cinematic concerns and experimental sound composition, and also film-performance.
Corinne Cantrill→ Biografie anzeigen← Biografie schließen Corinne Cantrill, born Sydney, Australia, 1928, has been making 16mm films with Arthur Cantrill since 1960. At first films for children and documentaries on art, interspersed with short experimental films. After working in London for four years (where Arthur Cantrill was a film editor at Halas and Batchelor Cartoon Films and then at BBCTV current affairs and documentary), they returned to Australia in 1969 to take up a Fellowship in the Creative Arts at the Australian National University in Canberra during which they made several films financed by ANU, the main work being the feature-length Harry Hooton. From that time they have worked solely in film as a medium combining kinetic art with formal cinematic concerns and experimental sound composition, and also film-performance.
Australien
1970
Englisch
In 4000 FRAMES – AN EYE-OPENER FILM beschleunigen sich die Bilder zu einem Sog.
